Destry Allyn Spielberg is stepping into the spotlight with her new movie—and she’s not just continuing the family tradition, she’s turning it on its head. While her last name might instantly remind people of epic blockbusters, dinosaurs, and heartwarming alien adventures, her latest work takes a sharp turn into the world of horror. With “Please Don’t Feed the Children”, Destry is proving that she’s not just Steven Spielberg’s daughter—she’s a storyteller with a vision of her own.
This film not only marks a big moment in Destry’s career but also signals a bold, eerie addition to the Spielberg cinematic legacy.
Destry Allyn Spielberg grew up surrounded by film sets, scripts, and the creative energy of Hollywood. As the daughter of legendary director Steven Spielberg and actress Kate Capshaw, she has always been close to the world of cinema. But instead of following the exact same path as her father, she’s carving her own niche in a completely different genre.
While Steven Spielberg is best known for films like Jurassic Park, E.T., and Schindler’s List, Destry’s passion lies in exploring the darker sides of storytelling. Her love for horror is evident, and it’s something she has embraced fully in her debut feature film.
Destry Allyn Spielberg’s new movie, Please Don’t Feed the Children, is a psychological horror-thriller that explores fear, survival, and human nature during a deadly pandemic. Set in a post-apocalyptic world, the story follows a group of orphans navigating the terrifying remnants of society after a mysterious virus wipes out the adult population.
They seek refuge in an abandoned house—but what begins as a safe haven quickly turns into a nightmare as they discover something dark lurking inside. The film dives deep into themes of trust, trauma, and the innocence of children facing unspeakable horror.
This isn’t just jump scares and gore. It’s a thought-provoking, emotionally charged film that combines heart-pounding suspense with deeper meaning—a combination that’s rare in today’s horror landscape.
Before Please Don’t Feed the Children, Destry already showed promise as a filmmaker. Her short film Let Me Go (The Right Way), starring Hopper Penn (Sean Penn’s son), caught attention for its unique visual storytelling and eerie atmosphere. It also premiered at the Tribeca Film Festival, which helped put her on the map as an emerging director to watch.
Destry didn’t rush into the spotlight. Instead, she took her time honing her craft behind the camera. Working on indie projects gave her the creative freedom to find her own voice, away from the shadow of her father’s fame. And now, with this debut feature, she’s stepping into the genre that has long fascinated her—horror.
Unlike her father, who rarely ventures into full-blown horror, Destry has always been drawn to the genre. In interviews, she has spoken about her admiration for directors like Jordan Peele, Ari Aster, and Jennifer Kent. She loves how horror can explore real-world fears in symbolic, surreal ways.
To Destry, horror isn’t just about blood and fear—it’s about emotion. Her new movie aims to disturb viewers not just with terrifying scenes, but with deeply human questions. What does it mean to survive? How far will children go to protect each other? And what happens when innocence collides with evil?
This emotional core sets her film apart from traditional horror flicks, giving it a lasting impact that goes beyond the scream factor.
There’s no denying that having the last name “Spielberg” opens doors. But it also comes with heavy expectations. Destry has faced both admiration and criticism for her connections in the industry. Some accuse her of benefiting from “nepo baby” status, while others recognize the pressure of being compared to one of the greatest filmmakers of all time.
Destry has addressed these concerns with honesty. She acknowledges her privilege, but she’s also quick to remind critics that talent still matters. She’s worked hard to learn directing, storytelling, and production. And Please Don’t Feed the Children is her way of proving she can stand on her own.
In fact, her choice to direct a horror film—something so far removed from her father’s signature style—shows her desire to build a different identity as a filmmaker.
The film stars accomplished young actors, including Olivia DeJonge, who played Priscilla Presley in Baz Luhrmann’s Elvis, and others with fresh talent ready to shine. The script was penned by Paul Bertino, and the film is being produced by Thunder Road Films, the same company behind the John Wick franchise.
This backing ensures that Destry’s first full-length movie isn’t just a passion project—it’s a serious production with Hollywood weight behind it. The trailers and early reviews promise a gripping, emotional experience that lingers long after the credits roll.
Destry Allyn Spielberg doesn’t want to be the next Steven Spielberg. She wants to be the first Destry Spielberg.
Her vision is clear: to create bold, emotionally rich films that explore the human psyche through horror and suspense. She sees the genre not as a limitation, but as a powerful tool for storytelling. She’s interested in developing more stories that push boundaries, make audiences think, and show that horror can be beautiful in its own eerie way.
In a recent interview, Destry mentioned her interest in stories that reflect trauma and the complexities of relationships—especially through metaphors and stylized visuals. Horror, she believes, is the perfect genre for that kind of exploration.
Hollywood has taken notice of Destry’s debut. While some were skeptical at first, many are now applauding her courage to go against the grain. Instead of riding the Spielberg wave of adventure or drama, she chose a harder path—emotionally raw horror.
Critics who have seen early screenings have praised the film for its tension, atmosphere, and emotional depth. Some have even compared her directing style to early M. Night Shyamalan or Jennifer Kent, both known for their psychological storytelling in horror.
Her directorial style mixes quiet dread with sharp emotional turns, and her ability to draw authentic performances from young actors is being highlighted as a major strength.
Please Don’t Feed the Children is more than just a horror film. It’s a statement. It tells the world that Destry Allyn Spielberg is ready to make her own name, in her own way, with her own stories. She’s not riding her father’s coattails—she’s building something darker, deeper, and entirely hers.
As audiences flock to theaters to watch her debut, one thing is clear: Destry Allyn Spielberg’s new movie marks the beginning of an exciting new chapter—not just in her life, but perhaps in the future of horror cinema.
For fans of horror, indie storytelling, or just fresh voices in Hollywood, this is one movie to keep on your radar.
Destry Allyn Spielberg’s new movie is proof that talent, vision, and determination matter just as much as a famous last name. By diving into horror, she’s not escaping her legacy—she’s evolving it. Her ability to tell scary yet meaningful stories gives her a strong foundation for a long and successful career.
Whether you’re a horror fan or simply curious about the next generation of filmmakers, Please Don’t Feed the Children is worth your time. It shows that fear, when used well, can do more than scare—it can tell powerful, unforgettable stories.
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